We often print staff photos in our customized business holiday cards, and it’s not uncommon to end up with glare on the lenses of subjects’ eyewear. It may not seem like a big deal, but at the very least, it can make a great picture not so great, and at worst can make the person appear… otherworldly, for lack of a better term. In a large portrait of just one or two people, it’s easier to control the lighting, and to edit any anomalies. With a smaller group photo, one person with blanked-out eyes can ruin the picture—and editing efforts can make it worse. Imagine your eight-person office staff in matching Santa hats in a fun snapshot, but with Regional Manager Ed’s eyes hidden behind an eerie pale glow. His clients will never trust him again! Okay, maybe it’s not that dire, but it is distracting, and perfectly preventable.
Lighting is the first and most obvious preventative measure. Assuming you don’t want to hire a professional photographer, (and honestly, you probably don’t have to) you can capture your image in an area with non-harsh lighting coming from multiple angles. Ideally you can use a blend of natural and indoor light sources. You may also be able to employ some semi-opaque plastic sheeting to diffuse light; and have a ‘spotter’ directing your very patient subjects. This is obviously the non-spontaneous way to capture your image, and can yield fantastic results, depending on circumstances.
If you don’t need your subjects to look posed, you can try out the rapid fire setting on your camera, like those fancy fashion photogs in the movies. Take twenty or so shots in succession as they’re belting out a holiday song or adjusting their Santa hats and giggling at each other—something like that. Tell them a knock-knock joke, or give them alcohol if you have to. Or both.
Back to seriousness, an oft-used technique for ensuring glare-free lenses, one that is appreciated by design departments far and wide, is two back-to-back shots—one of the bespectacled folks with glasses on, and one with them off. If you have a composition, props, and lighting conditions that you really like, this is a good way to ensure your custom photo holiday cards will look their best. Send both images in with your order, and we’ll have the extra shot as a back-up for any editing needs. Of course, you could get lucky and get a perfect pic the first time. But if you’re like the rest of us, and/or if you have trouble getting a dozen near-sighted engineers to sit still, it’s probably a good idea to take that extra step.
In case none of the above work out for you, our design department has some pretty cool tricks. More likely than not, we can make it work. It’s what we do.